Skip to main content

Author: rhansen

Scene & Heard: Hollywood’s Quiet Moment

How the Industry Slowed — and What Comes Now

There’s something unsettling about an empty soundstage.

If you’ve spent any time around production, you know the feeling: stages that should be humming with generators and chatter instead sit still. Parking lots have space. Call sheets aren’t circulating the way they used to. For an industry built on motion, the stillness has been hard to ignore.

This slowdown didn’t arrive all at once, and it didn’t start in one place. It’s the result of years of overlapping disruptions — some local, some global — finally converging. But as 2025 drew to a close, there were also signs, however small, that the industry may be finding its footing again.

The roots of the downturn stretch back to the pandemic, when productions around the world shut down simultaneously. Even as filming resumed, the business side of the industry was changing fast. Streaming upended traditional revenue models, “peak TV” quietly receded, and studios began asking tougher questions about budgets, episode counts, and long-term sustainability.

Then came 2023.

The Writers Guild of America strike, followed by the SAG-AFTRA strike, froze much of the U.S. production pipeline for months. Scripts stopped moving forward. Shoots were postponed or scrapped entirely. And because Hollywood is deeply interconnected with international production, the impact wasn’t confined to Los Angeles. Projects in Canada, Europe, and Australia were also delayed when American writers and actors stepped away from work.

By the time agreements were reached, studios were left staring at a crowded slate and a new economic reality. Many responded by pulling back — fewer greenlights, shorter seasons, and longer gaps between projects.

In Los Angeles, the effects became increasingly visible. According to FilmLA, on-location filming in the region dropped sharply, with 2025 finishing roughly 16% below the previous year.

Those numbers translated into something very real for crews and facilities.

“We’re going to have fewer studios.”
— Carl Muhlstein, industry broker

“We mourn what everybody’s going through… we’re in the land of ‘I don’t know.’”
— Craig Darian, Occidental Studios.

What’s happening in Los Angeles mirrors a broader global recalibration.

As studios tightened budgets, productions increasingly chased incentives and lower costs abroad. Canada, the U.K., and parts of Europe continued to expand their tax credit programs, making them attractive alternatives for projects that might once have defaulted to California.

Against that backdrop, the end of 2025 brought a subtle but meaningful change.

FilmLA reported that Los Angeles shoot days increased by roughly 5–6% in Q4 compared to Q3. In isolation, it’s a modest bump. But after months of steady decline, it stood out as the first sign that production activity might be leveling off rather than continuing to slide.

“While the year-end numbers are disappointing, they are not unexpected… there are dozens of incentivized projects that have yet to begin filming.” — Philip Sokoloski, FilmLA

That cautious optimism is being echoed beyond the data. Community-driven efforts like StayInLA.com have emerged as rallying points for crew members, businesses, and advocates working to keep production rooted in Los Angeles while strengthening its competitiveness in a global market. The goal isn’t nostalgia — it’s sustainability.

Hollywood’s slowdown has been deeply felt — in empty stages, in quieter rental houses, in conversations that start with “Have you heard anything yet?” But the story isn’t one of collapse. It’s one of transition — and of a community actively working to shape what comes next.


At Kino Flo, we’ve always believed that lighting is more than a tool — it’s a constant on set, regardless of budget size, location, or production scale. In moments like this, our focus stays the same: supporting filmmakers, crews, and educators wherever stories are being told.

Whether production is happening on a major soundstage in Los Angeles or a small location halfway around the world, the craft endures. As the industry recalibrates and finds its next rhythm, we remain committed to building tools that adapt, last, and help keep sets lit — even when the path forward feels uncertain

The Broadcast Playbook: Studio Lighting Plots

Broadcast Studio Lighting: Practical Lighting Plots for Real-World Setups

Designing lighting for a broadcast studio often means balancing a lot of competing needs: even coverage, color accuracy for consistent skin tones, and setups that don’t need to be rebuilt every day. Having a clear lighting approach can make studio workflows easier to manage – and we have some resources for you here to help you find that approach.

The lighting plots shared here were developed by Michelle Poley, a broadcast lighting designer with extensive studio experience.

They’re presented as educational reference tools, rather than rigid prescriptions. These diagrams are intended as adaptable starting points you can apply to your own studio and production needs. 

Downloadable Broadcast Lighting Plots

Each of the following plots is built around a common studio lighting philosophy: establish a soft and consistently color accurate base light using the Kino Flo Diva Lux 4 and its new color engine, then layer in controlled accent light — using the CHAUVET Professional Ovation Rêve E-3 ellipsoidals.

The same approach is applied across three familiar broadcast scenarios.


Three Anchors at a Desk

Designed for wide desk setups with multiple on-camera talent, this setup includes:

  • 7 Diva Lux 4’s as Fill and Base lighting in both front and back
  • Adding shape via 7 Ovation Rêve E-3’s with 36 degree lenses as both Keys and Fills from the front

Download the Three-Anchor Lighting Plot


Two Anchors at a Desk

One of the most common broadcast configurations, this plot demonstrates using mainly soft lights for key, fill and back lights via:

Download the Two-Anchor Lighting Plot


Single Standing Anchor

Great for weather and special reports, this setup utilizes the full lighting grid to evenly light both the single standing talent and the set, using: 

Download the Single-Anchor Lighting Plot


These lighting plots are intended as adaptable reference tools for real-world broadcast studios. Download the plots, explore how the layers work together, and adapt them to fit your space and workflow. 

For more broadcast lighting resources and product information, visit the Kino Flo blog.

Diva Lux 4: Engineered for Broadcast, Built for Brilliance

Los Angeles, CA – Kino Flo, the leader in color-accurate lighting solutions for film, television, and broadcast, proudly announces the launch of Diva Lux 4, the next generation of the highly regarded Diva family of soft lights engineered to deliver full power across all white points and nearly all color points. Powered by Kino Flo’s advanced RGB-cWwW LED engine, Diva Lux 4 sets a new standard for color fidelity and control in professional lighting environments.

“For over three decades, Kino Flo has set the benchmark for exceptional white light quality – and with our new LED engine, we’ve raised the bar even higher,” said Alan Ipakchi, Global Brand Manager.
When put to the test, the results spoke for themselves. “The overall specification came in really strong as far as the total amount of color, life, and quality of light,” said Michele Poley, Lighting Designer and Co-Founder of Light Cue. “They produce a beautiful soft wash, they are powerful, and look great on people’s faces.”

Designed for Studios

With 400 watts of output and a beam angle of 106°, the Diva Lux 4 is ideal for broadcast studios, houses of worship, and film/TV sets. It features two enhanced full-spectrum white sources that produce near-perfect daylight and tungsten color temperatures, with TLCI ratings of 99 and TM-30 Rf scores of 96 at both 3200K and 5600K.
The fixture’s CCT range of 2500K–9900K and 360° hue gives creatives the flexibility to dial in any look, while its four independently controlled zones allow for nuanced lighting setups across complex environments.

Advanced Control & Connectivity

The Diva Lux 4 is powered by Kino Flo’s trusted True Match® firmware, enabling intuitive on-board control and remote operation via RDM, DMX, sACN, and ArtNet. Standard features include:

  • Built-in LumenRadio wireless DMX, with optional Multiverse wireless DMX
  • Touchscreen menu and control dial for fast adjustments
  • Firmware updates via ethernet (ftp) and USB-C
  • Ethercon In/Out and 5-Pin XLR DMX In/Out with full data pass-through
  • DC battery input via 3-pin XLR
  • Removable diffusion, jr pin mount, and feet for staging and hanging
    Weighing 32.9 lbs / 14.9 kg, the Diva Lux 4 combines portability with robust performance, making it a versatile tool for any indoor production.

Diva Lux 4 is now available and shipping

Learn More

Testing the Kino Flo Celeb IKON6 in the rainy, humid Faroe Islands

Gaffer Luca Rieger’s Experience with the IKON6

Luca Rieger, a gaffer working out of Germany, has built his experience across a wide range of feature films and commercials, tackling everything from local passion projects to major international productions. Along the way, he has worked with countless pieces of lighting gear, and recently, he got to spend some quality time putting the new Kino Flo Celeb IKON6 through its paces.

And as he notes, he was genuinely impressed.

The New Standard of Reliable Performance
Kino Flo has always been a name synonymous with reliable, high-performance lighting. The IKON6 not only carries that tradition forward but also introduces some powerful features that make it a true game-changer on set.

Rieger put this light through the ultimate gauntlet while working on a feature film in the Faroe Islands. As any filmmaker who has worked there knows, the weather is brutal—constantly changing, with heavy rain, and a generally relentless, humid environment.

This is where the IP65 rating of the IKON6 became absolutely invaluable. The lights performed flawlessly under those challenging conditions. That durability gave him the confidence to focus 100% on the shoot and not on babying his equipment.

Power, Precision, and Ease of Use
Beyond its rugged build, the light delivers a strong 600W output, and the color performance is outstanding. Even when running single LED colors, the output remains rich, accurate, and visually consistent. This precision makes it incredibly easy for him to achieve the exact look needed on set.

Equally important to any fast-moving production is ease of use, and the IKON6 shines here, too.

The built-in power supply is a huge win, immediately reducing extra gear and the inevitable cable clutter.

The touchscreen interface paired with built-in CRMX allows for quick, intuitive, and fully wireless control.

These thoughtful design choices save precious time and make a real difference when the production is moving fast.

The Final Shot
For Luca Rieger, the Celeb IKON6 combines high output, extreme durability, and exceptional ease of use in a way that truly makes it a highly versatile and essential tool for professional film productions. If a light can keep up with the demands of the Faroe Islands, it belongs in any serious gaffer’s kit.

ChamSys Acquires Arkaos MediaMaster, GrandVJ and KlingNet to Deliver Unified Lighting, Pixel Mapping and Media Control Solution

Move Expands Company’s Leadership in Pixel and Video Control, Creates Unified Lighting, Pixel Mapping & Media Playback Solution.

SOUTHAMPTON, UK – ChamSys, a subsidiary of Chauvet & Sons LLC, has expanded its leadership in show control by acquiring the product and software portfolio of Arkaos SA, including MediaMaster, KlingNet and Grand VJ. The strategic move marks a major milestone in delivering a fully unified One Console. One Server. One Show. control solution.

ChamSys will release ChamSys MediaMaster 25, a major update to Arkaos MediaMaster 6 software, encompassing a new super-easy-to-use interface that can span multiple screens and flexible project workspaces — and features user-defined GDTF personalities. MediaMaster 25 will be complemented by a new range of powerful ChamSys MediaMaster Servers.

ChamSys MediaMaster 25 users will benefit from ChamSys’ 24/7 global support, expanded documentation, and training programs. Arkaos General Manager Tony De Prins, along with the longstanding Arkaos engineering team, will join the ChamSys group, ensuring uninterrupted support and continued innovation.

Current MediaMaster customers can continue using their existing licenses with no change or added costs. Future updates will provide a seamless integration path into the ChamSys ecosystem. Arkaos customers will be able to interface with MediaMaster and other Arkaos products via the ChamSys website.

“The acquisition strengthens ChamSys as the leading single-source solution for native lighting, pixel, and media control,” said Chris Kennedy, founder of ChamSys. “By unifying MediaMaster with ChamSys control systems, we are giving users seamless, powerful, and reliable control from a single platform, eliminating workflow complications and technical barriers.”

Seconding Kennedy’s optimism, De Prins recalled the “strong history” of collaboration between ChamSys and Arkaos, noting that both companies were key players in the groundbreaking CITP/MSEX open network protocol, which revolutionised the industry by allowing high level integration of lighting controllers, media servers, and visualisers, making it possible for applications to share video in real time, and display it on a lighting console or in a visualiser.

“Our team is going to be right at home being part of ChamSys,” said De Prins. “ChamSys has been a trusted partner for years. Joining forces will strengthen our efforts in a multitude of ways and result in very real benefits in modern production control. You can look forward to some very impressive things happening.”

Go Behind the Scenes with Celeb IKON

“Having a light like the Celeb IKON that’s just so clean, hundred percent output at full saturation, these units had all the punch I needed to tell my story.”

– DP Kristian Dane Lawing

Local 600 Director of Photography Kristian Dane Lawing and his crew put the new Kino Flo Celeb IKON through its paces on the set in the unpredictable weather of the South. The production faced harsh weather and the Celeb IKONs held up perfectly with their IP65 rugged build.

Watch how the Celeb IKONs performed in the BTS video

The Celeb IKON is a powerful softlight that delivers its full 600 watts of power to each color point (not only the white points) so it is providing some of the brightest colors from a softlight. It also improves on what has been regarded as a leader in color science from Kino Flo with its new RGB-wW cW LED light engine, delivering near perfect color spectrum.

Celeb IKON also features an integrated power supply, wireless DMX, standard DMX and a touch screen for manual control. It has a variety of light shaping and diffusion accessories to help soften and control its output. The Celeb IKON also has a removable front diffusion for when youre looking to push the light through a larger source diffusion.

“Having a light that’s IP65, especially here in the variable weather conditions in Georgia is just vital. There’s no way around it. These lights today have been through crazy sun like you see now, and torrential rain earlier today.”

– DP Kristian Dane Lawing

Watch the full Celeb IKON video “Who IS the Real Star?” at

Celeb IKON is now available for pre-order at https://kinoflo.com/ikon/

New LED Engine Goes to Next Level Delivering Full Power to All Five Colors

Revolutionary solution for lighting talent, wardrobes, and sets

LOS ANGELES – KINO FLO, the world’s leader in lighting products for movies, television, and broadcast, announces the release of the first of its revolutionary family of products, the Celeb IKON 6. This breakthrough in lighting technology features a powerful new LED engine that offers near-perfect daylight and tungsten color space spectrums .

“KINO FLO has always been known and relied upon for the best possible color spectrum available and the way it lights skin, costumes, and sets for quality film and television productions; and now our high color fidelity just got higher,” says Kino Flo Founder Frieder Hochheim. “The new Celeb IKON family of soft panels’ ability to provide great color has grown and evolved with these products. Kino Flo always had unmatched color science and now it is near perfect.” He adds that while most daylight and tungsten color spectrums have a blue or red spike, the Celeb family of lights broadens and extends the spike in those respective color spaces without mixing a variety of colors to obtain that broad spectrum of white light. “It’s matchless.”

The Celeb IKON 6 is an IP65-rated softlight for gaffers, directors of photography, and rental houses wanting powerful lights for indoor and outdoor environments. Setting it apart from others on the market is the all new innovative RGB-cW-wW LED engine which provides full power not just to all white points, but to all color points as well. It provides a new confidence in moving from warm to daylight tones and easily solves color rendering challenges creatives face on today’s sets. The LED system includes two greatly improved full-spectrum white sources that deliver the broadest spectrum of quality white light available.

A Must-Have for Your Production Arsenal

“This is the best possible out-of-the-box solution for lighting talent, wardrobes, and sets,” says Global Brand Manager Alan Ipakchi. He adds that crews are greatly welcoming the IP65 aspect. “Weather-resistant lighting used to be a luxury in film, but now it’s vital, and we’re hearing from crews that while a sudden rain storm can cause a delay in the schedule for hours, now they return and fire up the Celeb and get right back to work. This is already a must-have for anyone’s production arsenal.”

The True Match® software is managing this new broad spectrum LED package making on-board control quick and easy for programmers to remotely configure and operate the Celeb IKON via RDM and DMX. LumenRadio wireless DMX comes standard, plus there’s an option of choosing Multiverse wireless DMX when purchased or added later through the KINO FLO service center.

“This first IKON product in the family is the IKON6 that is 600 watts, and coming soon is the powerful IKON12 that is 1200-watts” Ipakchi says. “In a market of mixing a variety of colors to obtain white light, it’s just about staying true to our core pillar and using the best white light color space available.” The 600 version is a 2×1 fixture with the 1200 being a 4×1 traditional Kino Flo form factor fixture. All products from this line have a removable front diffusion, and multiple zones that can be controlled as well.

Continuing the KINO FLO Legacy

The main feature that has technicians excited is the RGB-cW-wW LED Engine with expanded White Space and Color Space Spectrums. But there is also an SDI port for gen locking the IKON to camera/video signals, a unique offering making this uniquely perfect for virtual production as well. The removable diffusion and the Ethercon In/Out Ethernet ports combined with the 5 Pin XLR DMX In/Out ports make it incredibly flexible and easy to use in almost any setting.

Other standard features include Data Pass Thru on both DMX and Ethernet Lines; RDM/sACN/ArtNet; USB-C for storing and loading presets; firmware updates via USB-C; DC battery input via 3 pin XLR; and jr pin mount and feet for easy staging, mounting, and hanging. It all adds up to continuing the KINOFLO legacy of dynamic, innovative products for this market.

The CELEB IKON is now available for pre-order. 
Sign up to receive the latest Celeb IKON news: https://kinoflo.com/ikon/

Behind the scenes: On set with a first look at Diva Lux

“The color space as it relates to the cameras is something that we’ve known Kino Flo has been at the forefront of lighting throughout their history. And that hasn’t changed, it’s only gotten better.”

“We have a formula for how we like to light studios. It’s definitely a combination of soft light and hard light to create a nice level of light for the cameras.”

“Part of the process today was to put different skin tones, different hue values, through their paces.”

“The color science of these lights is so good, you don’t see the green spike or the red spike which causes different kinds of skin tones to react differently on camera.”

“Because my history is in fashion, skin tones are always super important to me. Coming into this project knowing the spectrum of the lights that we were going to be using, I wanted to put together a camera package that would leverage and harness the quality of light that the lights were giving me.”

“The overall concept for this production was to build a base of the Diva fixtures and then lay in a small Leko in order to sculpt out a neckline. The two fixtures worked really well together. We were really happy and surprised how well the Divas and Ovation Rêves did together.”

“Being able to use these new Diva Luxes really gave us the base we needed to create a picture in conjunction with the Ovation Rêves, allowing us to come over top of that beautiful soft light and sculpt a picture, modeling faces to give a three-dimensional sense in a two-dimensional medium.”

Learn how to light your Divas.

LiteGear is acquired by Chauvet to expand leadership in the cinematic lighting industry

LiteGear is acquired by Chauvet to expand leadership in the cinematic lighting industry

Burbank, CA – LiteGear, the innovative cinematic LED lighting manufacturer, is excited to announce its acquisition by Chauvet, a leading name in the lighting industry. This strategic acquisition aligns with Chauvet’s vision to broaden its reach and expertise in the realm of professional cinematic lighting. LiteGear, renowned for its pioneering products such as LiteRibbon, LiteMat, and LiteTile, is the latest addition to Chauvet’s prestigious roster, which includes other notable brands like Kino Flo and ChamSys. This merger brings together a powerhouse of expertise and innovation, promising to elevate the standards of cinematic lighting solutions.

With this acquisition, Chauvet is excited to introduce Chauvet Cinema, a dedicated division focused on expanding cinematic lighting markets. This new division, led by industry veteran Mike Wagner, will drive the mission to venture into new lighting markets catering to image capture. Chauvet Cinema will commence with the Kino Flo and LiteGear brands with plans for further expansion to include other brands. In a statement, Wagner expressed excitement about the merger citing, “Our objective is clear — we are developing a new playbook to become the market leader in cinematic lighting. By combining the strengths of LiteGear and Kino Flo under Chauvet Cinema umbrella, we are poised to deliver unparalleled innovation and value to our customers.”

The collaborative efforts of LiteGear and Kino Flo will channel decades of experience and a commitment to advancing cinematic lighting technology while fostering education and community engagement. Chauvet Cinema is poised to play a significant role in supporting and rebuilding the lighting industry amid challenging times. “Joining Chauvet enables LiteGear to offer a wider variety of products to our customers than ever before,” said LiteGear co-founder Mike Bauman. “We will be focusing on what the community needs and ensuring that new products come from the work, as LiteGear has always done.” LiteGear, under Chauvet Cinema, will bring cinematic lighting forward into the future with cutting-edge technology, world-class customer service, and innovative products that meet the high standards of film professionals.

LiteGear co-founder Al DeMayo added, “The ongoing changes in our industry highlighted the need for a strong partner to continue offering the best to our customers. Chauvet’s world-class manufacturing and global reach make it the perfect partner, and we are thrilled about the future possibilities.”

LiteGear partnered with Gary Rabishaw at Intrepid Investment Bankers and Andrew Apfelberg at Greenberg Glusker to complete this industry-changing acquisition.


About Chauvet:
Chauvet is a leader in the lighting industry, known for its high-quality and innovative products that serve a variety of professional lighting applications, including cinematic, architectural, and event lighting.


About LiteGear:
Founded by Mike Bauman and Al DeMayo, LiteGear offers innovative LED lighting solutions for film and television, renowned for its dedication to quality and creativity on set.

FAQs

Service Continuity

  • Will my order or repair be interrupted?

    There will not be an interruption with services, including orders and repairs.
  • Will my existing account remain active?

    Your associated accounts including sales, service, rental, and ecommerce will remain active and unchanged.

Pricing and Billing

Will prices change after the merger?

Although limited products may see a price increase, the majority of the LiteGear product portfolio will remain unchanged.

Customer Support

  • Will customer service contact details remain the same?

    All LiteGear contact information including our location, emails, phone, and website URL will remain the same.
  • Will the merger affect the quality of customer service?

    You will continue to receive the same world-class industry leading customer service you have come to expect from LiteGear.

Product Changes

  • Will there be changes to the products I use?

    There will be no immediate changes to your products. The mission of LiteGear and Chauvet Cinema is to continually improve by developing cutting-edge products and technology for you.
  • Will new features or products be introduced?

    LiteGear, under Chauvet, will focus on releasing a wider variety of lighting products and features for image capture applications.
  • Will certain products be discontinued?

    No changes will be made to the LiteGear product portfolio at this time.

Brand and Identity

  • Will the company name or branding change?

    The LiteGear name and branding will remain the same. Chauvet Cinema will include the LiteGear and Kino Flo brands, creating a powerhouse of innovation and service for the cinema lighting industry.
  • Will there be changes to the website, or other platforms I use?

    The LiteGear website and social media addresses will remain the same.
  • Will my customer experience differ due to cultural shifts?

    The LiteGear culture of innovation, community, integrity, passion, and quality will remain the same. You will continue to receive the same industry leading customer service you have come to expect from us.

Transition Timeline

When will the merger take effect?

The merger takes effect on January 23, 2025.

Impact on Locations or Availability

  • Will physical locations remain open?

    LiteGear will remain at our current location, 4406 Vanowen Street, Burbank, CA 91505 Our days and hours remain are Monday through Friday, 8:00 AM to 4:30PM
  • Will the LiteGear expand or reduce its service areas?

    LiteGear and Chauvet Cinema will expand into new markets while providing high-quality lighting products to lighting professional worldwide.

Continue reading

Fearless Productions’ Project Chimera Shines With Kino Flo’s MIMIK 120

Full-Spectrum, Image-Based Video Lighting Tile Synchronizes With LED Volume Content to Deliver Unprecedented Realism for Music Video

BURBANK, Calif. — Feb. 13, 2024 — Kino Flo Lighting Systems today announced that its MIMIK 120 full-spectrum, image-based video lighting tile was utilized by Hollywood-based digital film production company Fearless Productions in Project Chimera — a music video designed to demonstrate the capabilities of the very latest in virtual production technology. For the video, Fearless Productions utilized a variety of MIMIKs in different configurations on a virtual production LED stage to light talent and a Tarform electric motorcycle with full-spectrum color, creating a more realistic and immersive viewing experience.

Set to drum and bass electronic music by Janaka Selekta, Project Chimera combines an action storyline with an abstract interpretation of a classical Indian dance performance — all set in a cyberpunk future — to tell the story of a love triangle. Filmed on a virtual production stage at Fuse Technical Group, the video was shot with RED Komodo 6K digital cinema cameras with Fujinon Premistas zoom lenses. It also showcases a wide range of cutting-edge technologies for the creation of AR objects, camera tracking, and motion control, with Kino Flo’s MIMIK 120 synchronizing lighting on the virtual set with Unreal Engine content playing on the LED volume.

Optimized for virtual production environments and for delivering extended spectral bandwidth and cinematic color fidelity when lighting talent and set elements the patented Kino Flo Matchmakker algorithm converts the incoming RGB video wall signal into four or more individual emitters — RGB-WW-CW for the MIMIK 120 — generating synchronized foreground lighting that delivers the utmost realism on virtual sets, including natural skin tones and accurate renderings of colorful costumes.

“With Project Chimera, our goal was to show how technology can bring the unimaginable to life — through the video and a series of short documentary videos showing how we did it,” said Snehal Patel, director and producer at Fearless Productions. “Representing a monumental leap forward in virtual production lighting, the MIMIK 120 played a key role. In addition to providing higher brightness and better spectral response curves than LED walls, the MIMIK actually uses the content on the LED volume to light actors and foreground objects. This gives the gaffer and cinematographer a whole new toolset to utilize, allowing them to deliver unprecedented realism that completely immerses viewers into the cyberpunk world we’ve created.”

Delivering 10,000-nits brightness, the adaptable MIMIK 120 is designed to be stacked like a video wall, flown as a ceiling, or put on traditional lighting rigs. For Project Chimera, Fearless Productions utilized eight panels in an 8-foot-by-8-foot video wall configuration — featuring a ground support system that allowed it to be easily moved to meet the needs of the shot — while eight additional units were mounted on separate mobile lighting rigs. The lighting system is controlled by the Megapixel VR HELIOS LED processor.

“With control via a Megapixel Helios processor, the MIMIK 120 integrates seamlessly into the world of virtual production,” added Patel. “We were able to use the same processor and interface for the lighting system and LED volume, which allowed us to work far more efficiently. Using the processor, all we had to do was route video data throughout the lighting system over Ethernet, sending different pieces of background content to different panels to get the exact look we wanted. As a result, we were able to change setups very quickly. Over a two-day period, that allowed us to complete a staggering 86 shots, and was essential to our completing the project on time and under budget. We already have a variety of additional projects lined up for the panels, including virtual production, volumetric filming on a 3D capture stage, and practical driving shots.”

“By mimicking what’s on the LED volume, Kino Flo’s MIMIK 120 represents a huge leap forward in lighting for virtual production — the difference it makes in terms of light interactivity and the verisimilitude of the image can’t be overstated,” said project cinematographer Robert McLachlan, ASC, CSC. “I can see it being especially useful in driving shots, by providing cinematographers with complete control over reflections in windows instead of relying on compositors, who don’t always know how pronounced reflections should be.”

To view the behind-the-scenes footage of the music video, viewers can visit the Kino Flo YouTube channel here. For more information on Kino Flo and its products, visit www.kinoflo.com.