Video Type: Deep Dive
Kino Flo founder Frieder Hochheim explains fundamental color workflow concepts for virtual production, including color spaces, gamuts, and camera spectral responses. The presentation details technical challenges in aligning image capture and lighting systems for virtual production environments.
KINO FLO presents Brian Nowac of MAGICBOX | Color Workflow for Virtual Production
Magicbox founder Brian Nowac presents mobile virtual production volume technology and color workflows during an IATSE Local 600 and 728 joint training session.
KINO FLO presents Andy Smith of PIXOTOPE TECHNOLOGIES | Color Workflow for Virtual Production
Andy Smith of Pixotope Technologies details color management workflows within XR suites and virtual production environments during an IATSE Local 600 & 728 joint training session.
KINO FLO presents Alex Pearce of ASSIMILATE | Color Workflow for Virtual Production
Alex Pearce demonstrates live grading and color adjustment workflows for LED volumes using Assimilate during an IATSE joint training session hosted at Kino Flo.
MIMIK 120 Image Based Lighting Tile with MAGICBOX CEO Brian Nowac | Kino Flo Lighting Systems
Brian Nowac, CEO of Magicbox, discusses using MIMIK 120 image-based lighting tiles inside an LED volume to project synchronized environmental lighting onto actors during vehicle process shots.
On Set with Josh Emetic | Kino Flo Lighting Systems
Producer and DoP Josh Emerick explains how Kino Flo FreeStyle fixtures and saved color presets enabled a two-person crew to quickly execute multiple lighting setups for a fast-paced music video shoot.
Kino Flo Cinema Landmarks | Matrix Reloaded | Girl with the Dragon Tattoo | Mission to Mars
This short showcases notable feature films that utilized Kino Flo lighting systems, highlighting specific aesthetic techniques like soft toplight and dark exposure in films such as The Matrix Reloaded, The Girl with the Dragon Tattoo, and Mission to Mars.
Kino Flo LED Colorimetry presentation for the STLD
Frieder Hochheim presents an in-depth technical lecture on LED colorimetry, covering spectral output, measurement standards (CRI, TLCI, TM-30, SSI), camera response curves, and color spaces for motion picture lighting.
Kino Flo – BVK Cine Talk 10.12.2020
This presentation explores the fundamentals of LED colorimetry for cinema lighting, detailing color metrics like CRI, TLCI, TM-30, and SSI alongside color space theory and additive versus subtractive mixing. It also covers practical methods for matching fixtures from different manufacturers on set using custom camera profiles and LUTs.
Webinar ~ Kino Flo LED Colorimetry for Cinema
This webinar covers fundamental LED colorimetry concepts for cinema lighting, including camera spectral response differences, white light spectrum variations, and using color gamuts, XY coordinates, and camera profiles for precise color matching.
Kino Flo LED Colorimetry for Cinema ~ Chapter 5 ~ Matching “White Light”, Camera Profiles LUTs
Frieder Hochheim explains how to match white light output across different LED lighting manufacturers and how camera LUTs and spectral profiles harmonize light sources with specific camera sensors.
Kino Flo LED Colorimetry for Cinema ~ Chapter 4 ~ Differences in “White Light”
Kino Flo founder Frieder Hochheim examines the technical nuances and variations of 'white light' emitted by various LED sources and how these spectral differences affect camera sensors. Viewers learn about spectral output, color gamut, and the practical implications of white light quality in cinema lighting.











