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Home> BarFly 100
 
       


Kino Flo packs a lot of soft light into its blade-thin Barfly 100. The brighter, smaller, lighter Barfly delivers more lumens per square inch than any other full-spectrum fluorescent source on the market. The Barfly 100 is a compact and controllable lighting source that can squeeze into tight spots for difficult shots on location or in the studio.   



  Features include:  
  • Narrow profile
  • Built-in white reflector
  • Built-in head extension
  • Removable Gel Frame and Louver
  • Center and Edge Mount options
• Individual lamp control
• HO/Standard switching
• Flicker-free remote operation
• True Match® daylight and tungsten    balanced lamps
    
   BarFly 100 System Includes
        Detail Of Features

  More Information

BarFly 100 Highlights

  • 1-Lamp remote fixture
  • Fixture includes 90° Honeycomb Louver, Gel Frame and built-in head extension
  • Same fixture takes daylight and tungsten lamps
  • Mounts to stand
  • Removable center-mount
  • Fixture runs up to 75 feet (24 meters) from ballast
  • Uses True Match® 3200K tungten balanced, 5500K daylight balanced and
    Visual Effects 420nm Blue and 550nm Green Lamps
  • High-output, flicker-free ballast
  • Instant-on, dead quiet
  • HO/Std switching
  • Operates at 1/10th the power of conventional tungsten softlights
  • UL listed, CE approved

BarFly 100 System

The first thing to note about the BarFly 100 System is that it consists of three components:
BarFly Fixture w/ 12ft (3.6m) head extension (fig. 1), Mounting Plate (fig. 2) and Ballast (fig. 3). 
It was designed in this manner to allow the greatest flexibility when working on film production where the
gaffer and DP are constantly being challenged to light unique locations and problem solve at a moment's notice.

The BarFly 100 is most at home on location and studio sets for television and feature film production,
but many in the electronic field production and ENG community have discovered it for a small, two point or
three point lighting kit to complement such popular location lighting instruments as the Kino Flo Diva-Lites. 

The BarFly series is now available in an all-in-one, dimming version in a four-tube model, BarFly 400D and
two-tube model, BarFly 200D.

BarFly 100 System





BarFly 100 Kits


   
  KIT-B12-G120
BarFly 100 Kit, 120VAC (2-Unit)
  KIT-B100-G120
BarFly 100 Kit, 120VAC (1-Unit)
  KIT-B12-G230
BarFly 100 Kit, 230VAC (2-Unit)
  KIT-B100-G230
BarFly 100 Kit, 230VAC (1-Unit)


Contents
2 BarFly 100 Fixture
2 BarFly 100 Ballast
2 Mount
2 BarFly Louver 90°
2 BarFly Louver 60°
2 BarFly Louver / Gel Bag
1 Lamp Case
1 Ship Case

Dimensions
27.5 x 19.5 x 10.5"
(69 x 49 x 26.5cm
)

Weight
35 lb
(15.8kg)

 


Contents
1 BarFly 100 Fixture
1 BarFly 100 Ballast
1 Mount
1 BarFly Louver 90°
1 BarFly Louver 60°
1 BarFly Louver / Gel Bag
1 Soft Case


Dimensions
20.5 x 9.5 x 13.5"
(52 x 24.1 x 34.3cm
)

Weight
12.8 lb
(5.8kg)

The BarFly 100 Fixture



           BarFly 100 Fixture

The BarFly 100 Fixture houses the lamp and is comprised of a sturdy alloyed fixture, Gel Frame, removable 90° Honeycomb Louver with built-in Reflector and built-in head extension.

The BarFly 100 is only 2" deep, 6" wide and 16" long and draws only one Amp of power.

 

 

BarFly Louvers

 
        BarFly Honeycomb Louvers                                Louver and Gel Frame Holder

The BarFly 100 fixture includes a 90° Honeycomb Louver.  The Kino Flo specially designed metal foil Honeycomb Louver controls and focuses the light which narrows the light spread with minimal light loss. 
It is also available in 60° and 45°.



Gel Frame

A Gel Frame is provided to hold colored gels or for standard diffusion materials.

 

The Louver and Gel Frame are held in place with accessory channels.




Inserting Lamps

  
(BarFly 200D is shown as an example.)

Insert lamps at a 45 degree angle and align pins with lamp holder.  Press lamp securely into lamp clip.

Caution: If there is any resistance, realign the angle of the lamp and try again.

 




Fixture Accessories



       BarFly Snoot

An optional Snoot (BRD-BF1) to cut the beam angle and control side spill is available.




Mounting

                 
       MTP-BL41S                Center Mount    
                                       on Fixture       
 
One of the design features that makes the fixture so popular is the 4 inch twist-on removable
Center Mount (MTP-BL41S).  The 2 inch depth fixture mounts easily to a light stand or
can be hand-held or hidden in a space too small to place a stand-mounting fixture.




Mounting Options

Mounting options include MTP-BL41S Mount with Baby Short (16mm) (included),
MTP-BL41 with Baby Receiver (16mm); MTP-KL41 Mount with 3/8” Pin (10mm).

MTP-BL41S
MTP-BL41
MTP-KL41

 

Note: The lollipops on all these mounts are interchangeable.

 

  
MTP-L       
MTP-LB      

MTP-LBS 

 


Kino 41 Lollipop w/ 3/8" Pin (10mm)
Kino 41 Lollipop w/ Baby Receiver (16mm)
Kino 41 Lollipop w/ Baby Receiver Short (16mm)


Mounting with Edge Mount

    
         MTP-BFE                     BarFly 100 Edge Mount

The BarFly Edge Mount w/ Baby Receiver (MTP-BFE) can be used in conjunction with a grip arm to enhance the fixture’s narrow profile making it easy to hide in the shot.




The BarFly 100 Ballast

  
       BAL-107-G120                             

All the features of the BarFly 100 fixture would be useless if Kino Flo had not developed its own
ballast that could run the fixture head remotely.  Unlike conventional architectural ballasts that need to operate three feet to six feet from the fixture head, Kino Flo ballasts can operate the fixture heads from up to 75 feet (3 x 25ft) extension cables.

The BarFly Ballast is a high output, high frequency electronic ballast that can operate the lamp up to 75 feet between ballast and fixture.  The ballast sends a high output current to the lamp to drive the light as brightly as possible.  Its high frequency electronics prevent any type of flicker as well.  A special heat-sink design and custom electronic engineering ensure stable operation without magnetic hum or cooling fans to interfere with the sound recording on set.


       BarFly 100 Ballast detail

The ballast operates the light on/off instantly.  There is also a special Select switch to raise or drop the wattage in the tube for light output and color control.  Keeping the ballast remote from the fixture and lamp makes the controls more accessible to lighting crews who might need to rig the fixtures into set designs or
high up in a lighting grid, but switch them easily from a convenient location on the stage floor.

The Kino Flo BarFly 100 ballast accomplishes all this and still out performs tungsten lighting instruments
10 to 1 when it comes to energy efficiency.  In other words, the BarFly ballast uses 1/10th as much power
to produce the same amount of soft light as incandescents.  The ballast works reliably under most normal conditions, but it’s also trustworthy in more harsh conditions, such as extreme cold. The BarFly ballast is designed to operate at temperatures from 14F to 122F (-10C to +50C).

In extremely cold temperatures, the ballast may not strike the lamp initially because the lamp may need to warm up.  Switch the ballast to Off, wait seven seconds and try again.  If the ballast does not strike after
two or three attempts, turn off the ballast, check that the extension and harness connections are secure and re-strike.  Once operating for a few minutes, the lamp should re-strike instantly.



The BarFly 100 Extension Cable

  
                    X09-G125                                                

Up to 75 feet (3 x 25ft) of extension cable can be used between the fixture and the ballast. 



The Kino Flo Lamps

  

         KF32 & KF55                      420nm Blue                    550nm Green              Lamp Carry Case
         Quad Lamps                       Quad Lamp                     Quad Lamp

The BarFly lamps come in True Match® KF55 (5500K) daylight and True Match® KF32 (3200K) tungsten balanced versions and visual effects colors: 420nm Blue and 550nm Green. Kino Flo’s new True Match Quad lamp technology combined with energy efficient remote electronics guarantee versatility and portability.  These are the only high color rendering fluorescent lamps made for the professional film and video production.

 
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