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Home> Tegra 4Bank
 
       
Kino Flo's new Tegra 4Bank redefines the evolution of light by combining
the Academy-award winning features of the 4ft 4Bank portable system
with onboard control features of the Diva-Lite 401.

No other light features onboard dimming, onboard switching, remote
hand-held dimming, and Universal input voltage (100VAC to 240VAC). Proprietary solid state electronics operate the lamps on high output,
flicker-free, and dead quiet.

The fixture produces as much light as a 1,000W tungsten softlight, using only one tenth the amount of power. The built-in barndoors with newly designed hinges, honeycomb louver and center mount system make the lightweight Tegra ideal for hand-held shots, rigging in tight locations or mounting on a
light stand.

The fixture takes 2900K, 3200K and 5500K True Match® lamps that
display a full range of high color rendering soft light.  

The Tegra 4Bank Fixture  
• Built-in dimming ballast
• Individual lamp control
• Universal Input 100VAC-240VAC
• Remote dimming
• Built-in Barndoors
• Center Mount
• Reflector
• Louver
• True Match® daylight and
   tungsten balanced lamps
  Detail Of Features
  More Information
   
  Tegra 4Bank Highlights

Fixture includes Center Mount, Louver and built-in barndoors
All-in-one design with built-in dimming ballast
High Output, flicker-free
4-Lamp individual lamp switching
Remote dimming capability
Universal voltage with auto-sensing power supply can be used anywhere in the world
Newly designed hinges for barndoors
Same fixture uses daylight or tungsten lamps
Full spectrum (CRI 95) lamps available in 3 color temperatures: 2900K, 3200K and 5500K
Visual effects lamps available in 420nm blue, 525nm green for blue & green screen application
Low amperage draw at 2.8A/120VAC, 1.4A/230VAC
Mounts to a stand or grid


 
Kits

 
  Tegra 4Bank Kits






  KIT-T4-120U
Tegra 4Bank Kit, 120U
  KIT-T4B-120U
Tegra 4Bank Kit w/ Soft Case, 120U
   
  KIT-T4-230U
Tegra 4Bank Kit, 230U
  KIT-T4B-230U
Tegra 4Bank Kit w/ Soft Case, 230U
   
 
Contents
1 Tegra 4Bank
1 Louver, 90°
1 Flozier, Half
1 Lamp Case
1 Travel Case

 
Contents
1 Tegra 4Bank
1 Louver, 90°
1 Flozier, Half
1 Lamp Case
1 Soft Case

   
  Dimensions
54 x 8.5 x 21”
(137 x 21.5 x 53cm)

Weight
39 lb (17.7kg)
  Dimensions
53.5 x 7 x 18”
(136 x 18 x 46cm)

Weight
22.5 lb (10.2kg)

   


   Tegra 4Bank Universal

The Tegra 4Bank is a broad, soft light source ideally suited for television and film quick shooting styles. The Tegra 4Bank produces a soft, diffused, beauty light without the use of a bounce card. The onboard dimming ballast is high output and offers individual lamp switching without any color shift. Dimming is also available with the use of a hand-held remote dimmer. The louver and built-in barndoors provide additional light control. With its universal power supply, the versatile Tegra 4Bank can be used anywhere in the world.

The Tegra 4Bank includes a center mount, honeycomb louver, reflector and built-in barndoors with newly designed hinges. Its all-in-one lightweight design is cool to the touch and can be mounted to a stand or hung from a grid.

The Tegra 4Bank operates on 4ft T12 True Match® lamps (CRI 95) available in tungsten and daylight balanced lamps, (KF29, KF32 and KF55). Kino Flo visual effects lamps in 420nm blue for blue screen and 525nm green for green screen application are also available.

   Tegra 4Bank Fixture

   The Tegra 4Bank Fixture houses the lamps and includes a built-in Reflector and Harness,
   removable Honeycomb Louver and center mount with a baby receiver lollipop.

    Each Fixture Includes:
    1 Tegra 4Bank Fixture
    1 Honeycomb Louver, 90°
    1 Lollipop w/ Baby Receiver

  The built-in harness is color coded. The same color-code must match at each end of the lamp for proper
  operation.

  


 

  Light Control

  

  Honeycomb Louver

 


The Tegra 4Bank Fixture includes a 90° Honeycomb Louver (LVR-G490)
It is attached to the fixture with Velcro fasteners.  The Kino Flo specially designed metal foil Honeycomb Louver controls and focuses the light which narrows the light spread with minimal light loss.  A 60° Louver (LVR-G460)
is also available as an accessory. 

 



    BatWing Louver  



Another light control option is the BatWing®.
The BatWing Louver attaches directly to the lamps and gives direction to the light with minimal light loss.
 BAT-W4




 
  
      Flozier

 

 
  The Tegra 4Bank produces a broad soft light. The built-in barndoors can open to broaden the light. For additional   softness, a Flozier may be used. The Flozier is cloth material that slips over the front of the fixture and provides
  a large area of white diffusion. The resulting larger area of diffusion further softens the light.

  This is especially useful when dealing with reflective subject matter as a means of diffusing the reflection of the
  lamps in the fixture. The harshness of lamp reflections in glasses is easily avoided.

  The Flozier is attached by stretching the two elastic cords around each end of the fixture.
  
  The Flozier is available in two densities, full and half (DFS-4804, DFS-4804-H).

  Note: The louver should be removed before applying the Flozier.



  Mounting


 
  The Center Mount includes a ball and socket design with a lock down handle. It allows unrestricted fixture
  orientation and keeps the fixture lightweight. The fixture can operate in either a horizontal or vertical position.
  It is easily rigged on the end of a grip arm to allow positioning off camera as a key or back light for interviews.
  At the other end of the Center Mount is a baby receiver (16mm) that can go directly onto a light stand.


 
 Example of the Tegra 4Bank rigged into a mafer clamp with baby pin.

 Note: The eyelet next to the mount is used as a safety point.


 Note: Lollipops are interchangeable.



MTP-LB                 
MTP-L

MTP-LBS

Kino 41 Lollipop w/ Baby Receiver (16mm)        

Kino 41 Lollipop w/ 3/8” Pin (10mm)

Kino 41 Lollipop w/ Baby Receiver Short (16mm)

            
MTP-B41F

The Kino Offset w/ Baby Receiver MTP-B41F (sold separately) can be used to
center the weight and balance of the fixture on the stand.

The offset receiver can also be used to under hang the fixture.





 
  Example of the baby offset arm centering the weight of the fixture over a light stand or being used as
  an “up” light.


   Electronic Ballast

The onboard ballast is designed to provide flicker-free operation. The built-in universal power supply has an auto-sensing voltage regulator so it can be plugged into voltage ranging from 100VAC-240VAC.







The Tegra 4Bank features a built-in dimmer control. Lamps can dim from 100% down to 5%. However, it is recommended that the dimmer be used to adjust exposure levels within one f-stop. If dimmed beyond one f-stop, the color may drift towards the magenta spectrum.







To adjust for lower light levels, the Tegra is equipped with four individual lamp switches. The combination of dimming and lamp switching gives you maximum light control without color shift.








 
The Tegra comes with a 15ft power cord with an in-line power switch.  
 
 
   
DIM-5

    
  The Remote Dimmer (
DIM-5) is a useful accessory for controlling the light output when you can’t reach
  the onboard dimmer knob. When the remote dimmer is plugged into the fixture, the onboard dimmer is
  automatically disabled. The remote dimmer comes with a 15ft extension cable.

 

   Cases  
The clamshell travel case (KAS-T4-C) is recommended for travel in small vehicles and production trucks. It has room for one fixture and a 6-Lamp carry case
(KAS-C46).


KAS-T4-C  
The soft case (BAG-401) is made out of lightweight fabric material. It has room for one fixture and a 6-Lamp carry case (KAS-C46).
BAG-401  
The 6-Lamp carry case (KAS-C46) fits 6 spare lamps allowing an easy change out of color temperature. It fits inside the clamshell case (KAS-T4-C) and the soft case (BAG-401).
KAS-C46    
     
  The Lamps    
  
Tegra 4Bank requires safety-coated lamps.

  The Tegra 4Bank operates on Kino Flo’s True Match® daylight and tungsten lamps. The 4ft T12 full spectrum
  tungsten and daylight balanced lamps include KF29, KF32 and KF55. These specially formulated lamps rated at
  CRI 95 are unique to Kino Flo as they display a broad, color correct soft light, creating a nearly shadowless
  display that drops off evenly. They are the only high color rendering fluorescent lamps made for the professional
  film and video industry. Visual effects lamps in 420nm blue for blue screen and 525nm green for green screen
  applications are also available.


  Tegra 4Bank Advantages
 
  
Energy Efficiency

  The Tegra 4Bank is an efficient soft light compared to conventional studio fixtures. The Tegra is about the same
  light output as a 1K studio soft light. It draws only 2.8 amps at 120VAC compared to 8 amps on a studio fixture.
  This is especially important when shooting on location and power availability is an issue. The low power draw is
  also an advantage when operating on battery inverter power sources.
 
  
All-in-one Design

  With its built-in ballast design, the Tegra 4Bank includes onboard dimming and onboard lamp control.
  The Tegra 4Bank also comes with a 15ft extension cable with an in-line power switch. The Tegra incorporates
  built-in barndoors with newly designed hinges
. The all-in-one lightweight Tegra makes it ideal for fast and
  easy set ups.
 
  
Long Lamp Life

  Lamp life of a fluorescent for the television and motion picture industry is determined more by its lumen
  maintenance than by its actual burn time. All fluorescent lamps display a lumen depreciation curve. This means
  that over time the light output gradually drops and lowers in color temperature.
 
  
True Match® Color Correct Lamps

  True Match® lamps are formulated to correspond to the spectral distribution curves of film and video cameras as
  well as look correct to the eye. They are designed to match the colors from quartz units or daylight sources such
  as HMIs. This gives the camera operator the option of mixing quartz hard light sources with fluorescent soft
  sources. Most lighting designers want the ability to use both qualities of light to enhance the set.

  Architectural lamps are designed to optimize government-mandated standards for lumens per watt efficiencies
  (energy savings targets). In order to achieve these standards, the lamps contain high levels of light in the
  green spectrum, which our eyes don’t perceive as inaccurate. Film and television cameras do record this added
  green. For example, green renders Caucasian skin tone as grayish and unattractive. The architectural lamps
  do not match with other studio lamps. They render colors inaccurately and make correction in post almost
  impossible.

  In 1995 Kino Flo received a technical achievement award from the Academy of Motion Picture Arts and Sciences
  for the development of the first color correct lamps for film. Kino Flo continues to be a leader in the industry
  introducing new developments and constantly improving the efficiencies and formulations of its lamp technology.


 

  
Heat Management Design

  The physical heat of the lamp or the buildup of heat within the fixture will directly influence the
  color temperature and lumen performance and lamp life.
 
  The Tegra 4Bank fixture design addresses these requirements:

• The reflector is vented in the back to increase airflow.
• The ends are open to minimize heat buildup.
• The lamps are properly spaced apart to maximize light output from the reflector and minimize heat buildup.

  A well maintained lamp temperature extends the lumen maintenance, color temperature and life of a lamp.

  Many manufacturers do not emphasize heat management as a critical design element. They place lamps so close
  together that they heat each other up and never provide a stable temperature environment. A True Match® lamp
  in a poorly ventilated fixture will not perform as well as in a Kino Flo fixture. We have seen customers of other
  manufacturers buy True Match® lamps and wonder why the performance is not as good as in a Kino Flo fixture.
  The answer is ventilation.


  Center Mount

  The Center Mount is more flexible than a conventional yoke. A yoke limits orientation on two axes, tilt and pan.
  The ball center mount design enables the fixture to be oriented at any angle. An optional offset arm with
  baby receiver (MTP-B41F) may be used to center the weight of the fixture on a stand or can be under slung and
  used as an "up" light.

  Cost Savings

  Cost savings attributed to fluorescents cover a broad range of concerns:

      • Low energy costs
      • Less heat so lower air conditioning expenses
      • No gel replacements because of low heat
      • Fewer lamp replacements due to longer lamp life
      • Lamp replacement labor reduced by a factor of 10


  Energy Savings Calculations

  With the push of reducing fossil fuel consumption, TV studios are looking at cooler, more efficient
  lighting systems to reduce costs and save energy. One of the most important values is Btu/kWh.
  British Thermal Units per Kilowatt Hour

  Any light generates a percentage of usable light and the rest in heat.

  For example, a standard incandescent light bulb converts only 11 percent of its electrical input into visible light,
  while the rest is dissipated directly as heat. There are energy costs involved in cooling the studio environment.
  The measure of Btu/kWh is a means of calculating the thermal loads related to operating lighting.

  Use the following information to calculate Btu/kWh:
  Watts to Btu
  1 kWh = 3413 Btu/hr
  1 Watt = 3.413 Btu/hr
  3.413 = Btu per Watt-hour

 


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